Wednesday, May 25, 2022
"Harry Potter and the Half-Blood Prince" || Book Review & Book to Movie Comparison
Monday, May 16, 2022
Book Adaptation Tag || Who did it better book or movie?
Hello book friends!
I wanted to make a fun post this time and I haven't done a tag in a long while so when I found this one I couldn't resist. I found it on The never-ending chronicles of Jawahir the bookworm so you can check it out there. So, here we go...
What is the last book adaptation movie you watched?
The last book adaptation I watched is "Bridgerton" - which by the way is adapted into a series, not a movie - and which is inspired by the "Bridgerton" books by Julia Quinn. I enjoyed the first season very much and I'm now watching the second season which is inspired by the second book in the series. However, I haven't read any of the books yet, so I can't form an opinion about them.
What book-to-movie adaptation are you most excited about?
Which upcoming book movie will you definitely not see?
I don't have an answer for this one, both because I cannot think of a story I wouldn't care about enough to watch and because even if I did, I would still most probably give it a try since I really enjoy adaptations and I like to be able to form an opinion on them.
Which book movie would you never watch again?
That's easy... "Paper Towns" by John Green. I generally like John Green, but this book just wasn't for me and neither was the movie. If anything, it was even worse and I don't think I'm going to give either one of them a second try.
Is there a movie you saw that made you want to read the book if you had not yet?
Conversely, is there a movie that made you never want to read the book?
Have you ever left the theater because the movie adaptation was so bad?
No, so far I have not left the theater because of a bad movie - adaptation or not.
Do you prefer to watch the movie first or read the book first?
This is probably an unpopular opinion, but I don't mind at all, both are fine with me and I can enjoy either one equally for different reasons. But if I absolutely had to choose, I'd say that book first is probably the slightly preferable choice in most cases.
How do you feel about movie adaptations that age characters up? (ex. Characters that are in middle school, but in the movies, they’re all 18+)
It depends on the story, the movie, the actors, and the reason behind the choices. Usually, I prefer accurate adaptations and casting choices, but if there is a good reason I could understand it.
Do you get angry when the actors don’t look like you thought the characters would?
I can't say I get angry but I definitely feel disappointed. It is a little bit frustrating when the characters look nothing like the description. I don't mind small changes or small differences but when there is a big difference or if the detail that is changed is very crucial to the plot then I will get disappointed.
Is there a movie you liked better than its book?
There are actually a few movies I enjoyed more than the books. One of them is "The Fault in our Stars". The is a very good book and I loved it, but I think I enjoyed the movie a bit more. Still, both of them were great and are among my favorites! But, for me, I lean a bit more toward the movie.
Then there are "The Maze Runner" books. Again, I quite enjoyed the books I thought they were good but I like the movies even more and I think they did a very good job adapting the story. The movies are quite different from the books, especially the "Scorch Trials" and "Death Cure" movies, but I believe that the changes that were made were made for the better and only improved the story. The things that were cut or changed improved the story a great deal and made it more interesting, so, in the end, I enjoyed the movies much more than the books.
Name a book that you would love to see as a movie.
Thursday, May 5, 2022
Some More Bookish Pet Peeves || Writing, Tropes and Characters
Hello friends!
In the past, I've made a post about my bookish pet peeves, which was very fun and I thought that it is pretty inclusive. The more I thought about it, however, I realized that this particular post talks only about my pet peeves that have to do with the book as an object and its physical state and... well-being... If you haven't already seen this post and want to get an idea, you can check it out here. But I have not talked about the pet peeves that I have that have to do with the plot, story, tropes, structure, and generally the contents of a book. So, here's a separate post about this...
- The insta-love trope: It's probably the most unrealistic and annoying plot that's also so overused in fiction. I mean, don't get me wrong, I'm all about suddenly falling in love, the infatuation you may feel with a specific person, the intense stares, the unexplainable feeling that this might be the one, etc... It is a strong, unique, and unbelievable feeling and it is also part of the beauty of falling in love. But this situation is far from what we have come to see portrayed so often, which is that, all of a sudden, after 3 whole days of knowing each other, the characters are ready to die for each other, because they cannot possibly imagine their lives apart! Not only is it unrealistic and not believable at all, but it's also a trope that inherently lacks depth, since we don't get to see the characters get to know each other, interact, and bond before they actually become a couple/fall in love. However much you try to convince me afterward that they actually have a deep emotional connection, I'm going to find it impossible to believe. It doesn't help with the character development and general arch of the story; it usually makes the pacing strangely quick at the beginning and slower closer to the ending, and it usually doesn't give as much satisfaction to the reader - at least in my experience. There could be, of course, exceptions to that, like if there is a magical element to the story, an element of time travel or mind-reading, or maybe even a life-threatening situation and the characters could die at any moment so this pressure makes them feel more intensely and more quickly. These exceptions however are not common and even when they occur, they should be executed well.
- Poor editing: I used to think that editing wasn't such a big deal in a book, but I have come to really appreciate it as years go by and especially the more I get into writing myself. A good editor can save your work as much as a poor editor can destroy even the best of stories.
- Cliche or repeated and overused phrases: I'm sure that even reading this has made you think of at least one overused phrase that you've stumbled upon multiple times. It's not my worst pet peeve, I do, however, feel annoyed by this occasionally and it's something that I think can very easily be fixed.
- When there is no synopsis on the cover, only reviews and comments about the book: While it may be interesting to see what people thought of a book, the purpose of anything being written on the cover of a book is to give you a clue what the story is about. Most readers want to know what they are buying and getting into and those comments may shadow the atmosphere or type of the story, but don't say much more than that. No, I prefer my synopsis there on the back, classic and helpful.
- When the magical solution suddenly appears out of nowhere right at the moment of greatest need in the story even when the said solution has never been mentioned before. I think this one is self-explanatory. It's usually a sign of poor, sloppy, or lazy writing and it's rarely good. It feels convenient and often anti-climactic as well, as it makes you feel like "a wizard saved the day" instead of the hero.
- Plot-armor: When particular character/characters - usually the main characters or the hero - are steadily untouched by any danger! They fight in battles, they come face to face with murderers and they run from the mafia day in and day out, yet they always come out of the mess with nothing but a scratch. This becomes even worse when every other character suffers from the consequences of their actions or the general situations in the story, yet this/these specific character(s) are still untouchable! It feels easy, sloppy, and cheap! Every character should have to deal with the consequences of their actions/decisions and struggle according to the situations their in.
- Over-powered heroes and/or underwhelming villains: I don't need to say more about this. Few things kill the dynamic between a hero and a villain more than these two things. A good dynamic between the hero and the villain can bring all the conflict and intensity to the story and create compelling story/character arcs!
- Resurrections: It's not my worst pet peeve and there might be a couple of occasions where I might enjoy a nice resurrection, but most of the time I hate it. It is usually a sign of lazy writing, or of having written yourself into a corner and trying desperately to undo it. I do believe that 98% of the time when a character dies they should remain dead unless their coming back not only makes absolute sense but also has a stronger impact than their death had. Character deaths are among the strongest and most impactful things that can happen in a story and they should be utilized correctly and not as an easy and cheap mechanism for shock factor or to make readers cry. So, as long as the death is written correctly and has the impact it's supposed to, the resurrection is most probably going to kill the moments that preceded it.
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